Comments on: French House’s “A Night in Morocco” under scrutiny

By: Another French House Resident

Another French House Resident — Wed, 26 Nov 2008 19:04:01 +0000

I just want to add something. We listened to Professor Semerdjian’s concerns. We had little time to change a lot of our simple event to conform to her concerns. The cafe night is designed for students to come over to the French House, have some food and something to drink, and enjoy conversation with other students. We provided information about Morocco on the tables, but not once did we claim to know absolutely everything and to be the absolute representation of the culture. Our hope was to open the student body’s eyes to something besides Paris and possibly teach the student body a thing or two. There’s no way you can learn or teach someone about a culture in its entirety in half an hour. We never wished or intended to attempt that. I’m sorry that it seemed like we did to one person.
As a diverse student, I am constantly frustrated about the hypersensitivity frequently found on this campus. Diversity and other cultures should not be a taboo subject. We should openly embrace discussion, but we’re too afraid of objectifying others and thus alienate ourselves from the real world.

By: Amelia Singer, RA of La Maison Francaise, Whitman College

Amelia Singer, RA of La Maison Francaise, Whitman College — Sun, 23 Nov 2008 05:56:02 +0000

Hi, This is Amelia Singer, the current RA of the French House. I am a Junior who has lived in the French House for almost a year and a half, a year of which I have been the RA. I am a double major in Sociology and Gender Studies. I am an Intercultural Club President, and have been a diversity club president since my freshman year here. I did a presentation at the symposium last year with a history professor, and am consistently committed to bringing diversity awareness to this campus, in all possible ways.
When people think of the French House, they think of France. While there is nothing wrong with this, there are so many other countries, cultures and dialects which I feel are an important part of francophone culture. Our Paris cafes are fun; we eat chocolate mousse and crepes, we learn about Paris, but what about Senegal, Belgium, Quebec, Mali, Morocco! Am I Moroccan? No. Is anyone in my house Moroccan? No. Does that give me less of a right to represent that culture? It’s something I can’t answer. But I can tell you what we did. We talked to our Moroccan friends, we had a research team, we watched Moroccan films, read Moroccan books, listened to Moroccan music,found Moroccan decorations, made Moroccan food. We created a tasteful, enjoyable evening in which all profits go to charity as they do every semester. Most of all, students and professors at Whitman left this event having learned about a culture they might not otherwise have been exposed to, and they learned about it through multiple senses.
Last semester we did a Parisian cafe, when in fact our Native Speaker of French in the house was from Quebec. Can it then be argued that we were misrepresenting Parisian culture? If not, were we still misrepresenting it by showing the romanticized side of Paris, absent of homeless people, of burning cars in dangerous ghettos, of tensions with immigrants from Northern Africa, of religious persecution.
One person commented on the fliers. One person, one day before the event, out of hundreds of students, hundreds of faculty who saw them. Is this a tragedy on the part of Whitman’s educational system, or a miscommunication on what is appropriate?
What is missing from this article is the true physicality of the event, a great and educational evening. I also find it unfortunate that there is a description here of the fliers, as the actual fliers are quite different from the description (one of the images actually looks more like a UFO than sand). I think one must first see the flier to determine if it is “inadvertently reproducing racist and imperialist imagery”. The belly dancers are not necessarily Middle Eastern as this article assumes, and I frankly think it is presumptive and imagination to say that the belly dancers are “invoking a harem fantasy” with “the observer viewing the women from their voluptuous backsides” implying that there is a Westerner there to view something that is not a part of their culture and therefore less than it, making that “other” culture exotic.
We never intended to have belly dancing (as commented in the article, a miscommunication between two different committees, and something not caught by anyone). We never intended to otherize or orientalize a culture. We simply intended to draw light to the many francophone cultures in Africa and around the world as part of the mission of Whitman to bring more diversity to this campus. As a diverse student at Whitman, I have been in a marginalized position before and have been frustrated when others could not see my view. I see the other side, understand it, and frankly have to disagree with it. I have a caring, intelligent house who worked hard to put this program on, despite the miscommunication with our advertising. If this event was a problem, then I have a problem with a lot of other events on Whitman’s campus. What the administration may not recognize is that it is petty arguments such as this which make students frustrated with diversity programming, and lash out against it. Why do you think the Symposium was so poorly attending last year, and it will not happen this year? Because students are sick of being blamed for not being diverse enough, not being culturally sensitive enough, not being as aware as they should be. Diversity is supposed to be fun, what happened? Students became discouraged by the constant politics surrounding any event they wish to put on. I have my experiences, I have my opinion, and I have made a positive impact on diversity on this campus, and I will continue to be an involved leader despite constant criticism.

By: C.McDaniel

C.McDaniel — Sat, 22 Nov 2008 02:34:28 +0000

I applaud the French club for wishing to highlight the culture of Morocco in North Africa and I disagree with the opinion of the history prof who claimed the flyer was offensive and represented an ‘orientalism’ reminiscent of the colonialists. Having lived in Morocco for 20 years, I can tell you, from my experience, that the style of dancing that ‘westerners’ call ‘belly dancing’ is enjoyed by women all over Morocco. Of course, there are variations (especially in regard to dress)but it is a wonderful and beautiful aspect of the culture. The Moroccans call it ‘oriental dance’ which to them just means dance that originated in the east – primarily Egypt. Like the dancing, camels also exist in Morocco and are part of life in the south.

By: belkhir

belkhir — Sat, 22 Nov 2008 00:44:24 +0000

the imagery in the flayer is half correct.
The camels are in , the belly dancers are out.

Moroccans generally are not particularly offended by this confusion.

Moroccan restaurant and other tourist establishments have long had belly dancers because it is part of the West fantasy of the “east”.
Some genres of native Moroccan dancing is even more sensuous and provocative than -Turkish originated-belly dancing.